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Naslen Gafoor Turns 25: The Unassuming Meteor Of Malayalam Cinema_我的网站

一 |     9월1~3일 시·자치구 합동점검…OTA 요금 모니터링[이데일리 이영민 기자] 서울시가 100만명 이상 인파가 몰릴 것으로 예상되는 9월 5일 서울세계불꽃축제를 앞두고 여의도 인근 관광호텔의 바가지요금과 부당 예약취소를 점검한다.

5일 밤 서울 여의도 한강공원 일대에서 열린 '2024 서울세계불꽃축제'에서 화려한 불꽃이 밤하늘을 수놓고 있다. 2024.10.5/뉴스1

서울시는 9월 1일부터 3일까지 영등포구·마포구·용산구와 합동으로 여의도 인근 관광호텔에 대한 현장점검을 실시한다고 26일 밝혔다. 점검은 서울시가 총괄하고 3개 자치구 관광부서가 관내 호텔에 대한 세부 점검계획을 세워 추진한다. 공중위생 관련 행정처분 권한을 가진 자치구 위생부도 함께 참여한다.이번 점검의 핵심은 지난달 14일 시행된 개정 ‘공중위생관리법 시행규칙’의 준수 여부다. 개정 전에는 숙박업자가 접객대에만 요금표를 게시하면 됐지만, 개정 후에는 온라인 인터페이스를 숙박업에 활용할 경우 접객대뿐 아니라 온라인에도 숙박요금을 게시해야 한다. 요금 게시 의무를 위반하면 기존에는 1차 위반 시 경고나 개선명령에 그쳤지만, 이제는 1차 위반부터 영업정지 5일 처분이 내려진다. 2차 위반과 3차 위반 때는 각각 영업정지 10일과 20일이 부과되며 4회 이상 위반하면 영업장 폐쇄명령이 가능하다. 서울시는 현장점검과 별도로 9월 1일부터 4일까지 주요 온라인여행사(OTA) 사이트에 게시된 9월 5일 숙박요금을 모니터링한다. 모니터링 결과 직전 주말보다 과도한 요금 인상이 확인되면 호텔업협회 등에 자정 노력을 촉구하고, 필요할 시 해당 자치구를 통해 추가 점검을 실시할 것이라고 부연했다.시는 현장점검에 앞서 지난 8월 18일과 25일 유관기관과 주요 OTA 측에 숙박요금 게시 의무를 준수할 것과 일방적인 예약 취소를 자제하도록 요청하는 협조 공문을 발송했다. 조성호 서울시 관광체육국장은 “서울세계불꽃축제는 매년 수많은 국내외 관광객이 찾는 서울의 대표적인 축제인 만큼 일부 숙박업소의 불공정행위로 축제의 의미와 서울의 관광 이미지가 훼손되어서는 안 된다”며 “철저한 현장 점검을 통해 관광객들이 안심하고 즐길 수 있는 건전한 숙박 환경을 조성하겠다”고 말했다.。    In an industry celebrated for its grounded storytelling and ever-expanding creative scope, Malayalam cinema has always had a sharp eye for talent that can carry both wit and weight. And yet, there are some actors who arrive not with a bang, but like a slow-burning ember: steady, self-assured, and impossible to ignore once the smoke clears. Naslen K Gafoor is that ember. At 25, he already carries the quiet confidence of someone who knows exactly where he belongs: right at the heart of the new Malayalam wave.      Hailing from Kodungallur in Kerala, Naslen’s screen debut in Thanneer Mathan Dinangal (2019) wasn’t designed to steal the spotlight. But it did. As Melvin, the motormouth classmate with a knack for sly digs and one-liners, Naslen didn’t just elicit laughs. He exuded that rare quality of feeling entirely unscripted. That natural ease, a kind of controlled chaos wrapped in charm, immediately caught the audience’s attention. Here was someone who wasn’t trying to act cool, he just was. But what sets Naslen apart is not just how he began, but what he’s done since.     The Steady Curve of Craft      In an industry that often rushes to anoint its next sensation, Naslen has taken a more grounded path, one that reflects not the frenzy of overnight stardom, but the finesse of patience. Following his debut, he moved into darker terrain with Kuruthi (2021), a tense, socially charged thriller where he played Rasool, a teenager navigating communal tension and moral ambiguity. The film’s heavy tone was a sharp detour from his comic roots, and Naslen, in a role that could’ve easily been overshadowed, held his ground with a calm, brooding restraint.      In Home (2021), a touching domestic drama, he slipped into the role of a millennial son with the same kind of quiet conviction. And in Keshu Ee Veedinte Nadhan, even in a smaller role, he managed to bring levity without ever feeling like filler. There’s an elasticity in his performances; one that doesn’t demand space but earns it.      This ability to shapeshift without calling attention to the shift is what makes Naslen a standout in his generation. He doesn’t rely on gimmicks or heightened theatrics. He understands tone, rhythm, and, most importantly, silence. There’s power in the pauses, and Naslen knows where to place them.           The Premalu Phenomenon      Then came Premalu (2024). The film was never designed as a megahit, but like the best of Malayalam cinema, it found its resonance in relatability. As Sachin, a kind-hearted, emotionally awkward engineering graduate navigating unspoken feelings and second chances, Naslen delivered a performance that was both endearing and exact. The kind of role that required an actor to be funny without clowning, vulnerable without sobbing, and hopeful without being naive. He nailed it.      What followed was nothing short of a sensation. Premalu shattered expectations at the box office, becoming one of the top-grossing Malayalam films of all time. But perhaps more interesting than the numbers was the public reaction. Even as the film’s success was celebrated, there was a quiet murmur among fans online: Why was Naslen, the heart of the film, missing from the spotlight? It wasn’t outrage, just a collective acknowledgment that the actor who made you feel the most was somehow being spoken about the least.      In some ways, that reflects Naslen’s approach to fame. He’s not elbowing his way to the centre. He’s more comfortable on the fringes, letting the work speak. And yet, it’s impossible not to notice when the voice is that clear.      Jojo Johnson and the Boxing Ring      If Premalu was the quiet breakthrough, Alappuzha Gymkhana (2025) was the full-bodied leap. As Jojo Johnson, a carefree college kid thrust into the sweaty, brutal world of amateur boxing, Naslen offered a performance that required physical grit and emotional growth. He trained, transformed, and threw punches that didn’t just hit faces but landed emotionally.      What could’ve been a conventional sports flick turned into something more nuanced, and Naslen was at the centre of it all. It became a summer hit, reaffirming that this wasn’t a fluke. He could now headline films, and carry them, weight class included.           The Road Ahead: Superheroes and Sequels      The Malayalam film industry, while deeply rooted in realism, has begun to flirt more freely with scale and spectacle. Naslen’s upcoming ventures are proof of that shift. A much-anticipated Premalu sequel is in the works, albeit delayed, and more intriguingly, he’s been cast in Lokah: Chapter One – Chandra, a superhero film backed by Dulquer Salmaan’s Wayfarer Films.      The Charm of the Unbranded Star      At a time when branding often outweighs performance, Naslen is an outlier. He isn’t everywhere, and maybe that’s the trick. His face isn’t on every poster, and he doesn’t flood feeds with curated content. What you get, instead, is the feeling that when he is on screen, you’re about to watch something real. Something lived-in. There’s no desperation to “arrive.” He’s already here, just taking the long way around.      The Long Game      Naslen Gafoor represents a kind of career arc that’s becoming increasingly rare; where each role is a rung, not a pedestal. He’s building something, not grabbing it. The comparisons to stars like Nivin Pauly or Fahadh Faasil are inevitable, but also unfair. He isn’t mimicking a template; he’s sketching his own. He may not yet be the most visible name in the industry but make no mistake: he’s being watched—by fans, by filmmakers, and by a generation of actors learning that charm doesn’t always need volume.       See Also: Ranbir – Alia wedding: Alia Bhatt’s Juhu home gets decorated。

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Published on:07:13:57